Patti LuPone, who recently received critical acclaim for her performance opposite Joaquin Phoenix in Ari Aster’s latest film Beau is Afraid, is a three-time Tony Award winner for her performances as Joanne in Marianne Elliott’s award-winning production of the Stephen Sondheim and George Furth musical Company, Madame Rose in the most recent Broadway revival of the Jule Styne, Stephen Sondheim, and Arthur Laurents classic Gypsy and the title role in the original Broadway production of Andrew Lloyd Webber and Tim Rice’s Evita.

In addition to Company, her recent NY stage appearances include the Scott Frankel, Michael Korie, and Douglas Wright musical War Paint (Tony, Drama Desk and Outer Critics Circle Award nominations for Best Actress in a Musical), Douglas Carter Beane’s new play Shows For Days, at Lincoln Center Theater, her debut with the New York City Ballet as Anna 1 in their new production of The Seven Deadly Sins, Joanne in the New York Philharmonic’s production of Company, David Mamet’s The Anarchist, and Lincoln Center Theater’s production of the David Yazbeck and Jeffrey Lane musical Women on the Verge of a Nervous Breakdown, for which she was nominated for Tony, Drama Desk and Outer Critics Circle Awards.  Her other stage credits include appearances with the Los Angeles Opera in their new production of John Corigliano’s The Ghosts of Versailles and Weill and Brecht’s Mahagonny (debut), the world premiere of Jake Heggie’s opera To Hell and Back with San Francisco’s Philharmonia Baroque Orchestra, Mrs. Lovett in John Doyle’s production of Sweeney Todd (Tony, Drama Desk, Outer Critics Circle nominations; Drama League Award for Outstanding Contribution to Musical Theatre), the title role in Marc Blitzstein’s Regina, a musical version of Lillian Hellman’s The Little Foxes at the Kennedy Center, Fosca in a concert performance of Passion, which was also broadcast on PBS’ Live From Lincoln Center, a multi-city tour of her theatrical concert Matters of the Heart, the City Center Encores! productions of Can-Can and Pal Joey, the NY Philharmonic’s productions of Candide and Sweeney Todd (NY Phil debut) and performances on Broadway in Michael Frayn’s Noises Off, David Mamet’s The Old Neighborhood, Terrence McNally’s Master Class and in her own concert Patti LuPone On Broadway.

Beginning in 2000 she appeared regularly at the Ravinia Festival, first in its Sondheim series when she starred as Mrs. Lovett in Sweeney Todd, Desiree in A Little Night Music, Fosca in Passion, Cora Hooper in Anyone Can Whistle, Madame Rose in Gypsy and in two different roles in Sunday in the Park with George. Her subsequent appearances there include a reprise of her performance in Heggie’s To Hell and Back, a concert performance of Weill’s The Seven Deadly Sins and starring in the title role in a concert performance of Annie Get Your Gun.

A graduate of the first class of the Drama Division of New York’s Juilliard School and a founding member of John Houseman’s The Acting Company in which she toured the country for four years, her subsequent New York credits include Dario Fo’s Accidental Death of An Anarchist, David Mamet’s The Water Engine, Edmond and The Woods and Israel Horovitz’ Stage Directions and performances in the musicals Anything Goes (Tony Award nomination, Drama Desk Award), The Cradle Will Rock, Oliver!, Working and The Robber Bridegroom.

In London, where she most recently won her second Olivier Award for her performance as Joanne in Company, she recreated her Broadway performance of Maria Callas in Master Class, created the role of Norma Desmond in Sunset Boulevard (Olivier Award nomination) and won her first Olivier Award for her performance as Fantine in the original production of Les Misérables and in the Acting Company production of The Cradle Will Rock.

“Patti LuPone is that very particular kind of animal, perhaps the last of the breed, a genuine Golden Age Broadway star, the kind that can turn a theater into a living room, throwing out an electric current that makes 1,000 people feel as if they are being spoken to, and sung to, individually.”  – Maureen Dowd, The New York Times

“Many try, but few have the knockout punch of LuPone.” – The Washington Post

“LuPone’s remarkable, larger-than-life qualities and stunning musicality are distilled into the pure essence of her art.” – The Los Angeles Times

“Patti LuPone has a miracle of a voice. It can be as big and bold as a brass band or as plaintive as a solitary woodwind.” – People Magazine