After selling millions of records and logging thousands of miles on the road, GRAMMY award-winning band Blues Traveler continue to chart new musical directions evident on their newest release Blow Up The Moon. A clever collaboration between various artists, Blow Up The Moon sees Blues Traveler keep an open-minded perspective on making music and enlists an eclectic mix of songwriters influenced by the band’s remarkable 25+ year career.
Blow Up the Moon is the first collaborative album that Blues Traveler has ever made. Prior to these sessions, it was rare for the band to have someone else perform on their songs and even more rare to have anyone outside the band write with them. This process was a unique and successful experience for each of these artists who each found new depths and energy in their writing and performance. Blow Up The Moon is an exciting collaboration featuring a range of artists across the spectrum, representing country, pop, reggae and hip-hop.
“We wanted to experiment with co-writing since we usually try to do everything in-house, in this misguided homage to The Beatles,” says singer John Popper. Blow Up The Moon allowed Blues Traveler to expand their musical palette while holding the foundation of their distinct and explosive brand of rock. “We found quality writers to see what they could bring to us as a band, and also people who could see our strengths, something that’s hard to see for yourself.”
Blow Up The Moon features collaborating artists Thompson Square, Plain White T’s, 3OH!3, Dirty Heads and Rome Ramirez (Sublime), Hanson, Jewel, Secondhand Serenade, JC Chasez (*NSYNC), Bowling for Soup, New Hollow and Thomas Ian Nicholas.
The concept for Blow Up The Moon came about when the band was commemorating the 20th anniversary of their six-times platinum, award-winning and breakthrough album Four. “Once the idea was put out there, the thing took on a life of its own,” says guitarist Chan Kinchla. “We had so much fun reinvigorating our songwriting. This was an organic process that worked.”
“Nikkia’s Prom,” which Blues Traveler collaborated on with the Chicago pop-punk band Plain White T’s, was brought about through a Twitter conversation. While the groups had not met before, Popper and Plain White T’s vocalist Tom Higgenson bonded over the film Kill Bill. “Nikkia’s Prom” imagines what would happen if the daughter of Uma Thurman’s badass assassin showed up at her future high school dance. As drummer Brendan Hill said, “Like with all the bands we worked with, we just hit it off with them very easily. John and Tom holed themselves in a room and the rest of us just worked on key changes and rhythms. We all had the same kind of humor.”
Sharing humor and an open-minded perspective on music made the collaboration between Blues Traveler and electronic duo Sean Foreman and Nathaniel Motte, better known as 3OH!3, work so well. 3OH!3 are represented with two cuts on the disc, “Hurricane” and the title track which also includes contributions from J.C. Chasez (*NSYNC). Keyboardist Ben Wilson says Foreman, “is one of those real grinders who pored over every word all day until he felt we had a real coherent tune. And Sean played an instrument called a guitalele, which looks like a ukulele, but has six strings. When you hear it in this context it has a twangy sound that’s just awesome.”
Blues Traveler also had a relaxed time working with the California ska-punk band Dirty Heads on “Castaway” and “Vagabond,” which singer Rome Ramirez (from Sublime) produced. “Both bands just kicked back, handed some chords down and everybody added lyrics,” said bassist Tad Kinchla. “We would just learn the chords while we were all in the room together and played it the way we felt. It’s the luck of getting along with people.”
While Keifer and Shawna Thompson from the popular country team Thompson Square are a very different group than 3OH!3 or Dirty Heads, they were equally excited to work with Blues Traveler on “I Can Still Feel You” and “Matador.” The latter piece was written with Merle Haggard in mind and how he deserved more respect within the music industry. It’s a theme both groups know all too well, especially as they dare to challenge any imposed limitations. “They want to push boundaries,” Popper said of Thomson Square. “Generally, they stick to love songs, but here they wrote a philosophical statement about how the industry will embrace you and then turn on you. With them, we enabled each other to broaden the idea of genre and help it lose its meaning. Music is never supposed to be monogamous.”
A few stars that ascended at the time of Four also make guest appearances on Blow Up The Moon. Jewel lends her voice to “Hearts Are Still Awake,” and Thomas Ian Nicholas (star of American Pie), worked with Blues Traveler on “All The Way.” Hanson, the brothers who gave the world “Mmmbop,” join in on “Top Of The World.” Wilson said, “Hanson were huge fans of us back in the day – they were little kids then and 14 years later, here they are, grown men and had the tune almost the way they thought it should go, and we played it down until we got it right. They’re great singers and cool songwriters.”
Other collaborators on Blow Up The Moon include Secondhand Serenade who perform on “Darkness,” and co-wrote “Hearts Are Still Awake.” “Jackie’s Baby,” a song of soaring hooks and the collaboration with New Hollow, is according to Popper a new slant on the imagery in The Beatles’ “Rocky Raccoon.” Working with Bowling For Soup on “Waiting For You” and “I Know Right,” proves that Blues Traveler is in no danger of taking itself too seriously. That piece is a satirical look at online communication. “That title phrase just covers everything now,” Popper said. “It’s easy to talk to someone or beat up someone on Twitter, but try to come up with something new to say.”
Loud & Proud Records released Blow Up The Moon on both CD and vinyl in North America via RED Distribution (a division of Sony Music Entertainment) and in the rest of the world through earMUSIC. Loud & Proud see Blues Traveler as a relevant artist and the collaborations as exciting partnerships proving the band’s versatility.
Project Grand Slam
Robert Miller's Project Grand Slam is a New York-based Jazz Rock Fusion band with a twist of Classic Rock and Latin, which has earned over one million video views while defying genres, languages and geographic boundaries. Gashouse Radio says: “Robert Miller’s Project Grand Slam deserves mentioning as among the best musical acts produced by American culture in the last quarter century!”
The band’s new and 5th CD, ‘The PGS Experience’, will be released on June 30th and is a combination of five new studio tracks and four live performances. The reviews for the album have been glowing including from Jazz Quad; “The PGS Experience' will take a special place in the discography of this famous band!”
The album features Special Guest Artist Mindi Abair, renowned saxophonist and two-time Grammy nominee, on two of Robert’s new original studio songs: ‘Fishin’, with its laid back Island vibe, and ‘Metro Shuffle’, a funky ode to Robert’s hometown of New York City and it’s wonderfully hectic pace. About her appearance on the album Mindi Abair says: “I loved playing on Project Grand Slam's CD! Robert's songs are terrific and the band has such incredible energy and great musicianship!”
Other new studio tracks include ‘Hollywood’, an upbeat, driving song by Robert that captures the frenetic Tinseltown pace, and two new unique PGS-style covers arranged by Robert: Cream’s ‘I’m So Glad’, coinciding with the 50th anniversary of Cream’s debut album containing that song, and ‘Free’ by the jam band super group Phish.
The live tracks are songs that have previously been released as studio cuts by PGS and which capture the amazing energy and musicianship of the band in concert. They include two of Robert’s originals: ‘Gorilla’, a powerhouse “arena” song, and ‘The Queen’s Carnival’, a Latin fiesta, and two of Robert’s signature reimagined Classic Rock covers: The Kinks’ ‘You Really Got Me’, praised by Dave Davies, and Jimi Hendrix’s ‘Fire’, PGS’s incredible concert closer song.
Robert says; “I feel like ‘The PGS Experience’ captures the band better and more fully than any of our previous albums. Our music drives the line between rock and jazz. The power and emotion of the music, the diversity of the songs, and the studio tracks together with the live performances, all combine to showcase the band better than ever before. I am thrilled to have the incredibly talented Mindi Abair as our Special Guest.”
The band has shared the stage with such artists as Mindi Abair, Boney James (twice), YES and Scott Weiland (formerly of Stone Temple Pilots), and performed at numerous major venues.