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The Fab Four
Friday, May 10, 2013 at 8 pm




Happy Together
Wednesday, July 31, 2013 at 8 pm
The Temptations
& The Four Tops

New Date:
Thursday, March 14 at 8 pm

February 8 tickets will be honored on that date

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The Four Tops

The Temptations
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Two legendary supergroups together again! From "Baby, I Need Your Loving" to "My Girl," enjoy an evening full of your favorite Motown memories from two classic 1960s hitmakers.

Background:
For more than forty years, The Temptations have prospered, propelling popular music with a series of smash hits, and sold-out performances throughout the world.

“The crowds are bigger, the sales are sizzling,” says one industry report. “The outpouring of affection for this super-group has never been greater”.

The history of The Temptations is the history of contemporary American pop. An essential component of the original Motown machine, that amazing engine invented by Berry Gordy, The Temps began their musical life in Detroit in the early sixties. It wasn’t until 1964 however, that the Smokey Robinson written-and-produced “The Way You Do the things You Do” turned the guys into stars.

An avalanche of hits followed, many of which...”My Girl,” for instance...attained immortality. “It’s Growing,” “Since I Lost My Baby;,” “Get Ready,” “Ain’t Too Proud to Beg,” “Beauty Is only Skin Deep,” “I Wish It Would Rain”...the hits kept coming.

The classic lineup was Otis Williams, Melvin Franklin, Paul Williams, Eddie Kendricks and David Ruffin. Beyond the fabulous singing, The temps became known for smooth stepping and flawless presentations. The Temptations Walk became a staple of American style. Flair, flash and class. Millions of fans saw their Temptations as cultural heroes.

When the sixties and seventies turned political, The Temps got serious. They changed their tone, dress and music. Producer Norman Whitfield led the way. His Temptations hits, many featuring Dennis Edwards who had replaced David Ruffin, burned with intensity. “Runaway Child” “Cloud Nine,” “I Can’t Get Next to You,” “Papa Was a Rolling Stone”, and “Psychedelic Shack” still smolder.

Other stellar singers...Richard Street, Ali-Ollie Woodson...joined, adding their luster to the groups’ growing fame.

No matter the change in personnel, The Temptations remained true to The Temptations tradition. They survived the whims of fashion, whether disco or techno, and stuck to their guns.

“Great singing,” says Otis, “will always prevail.”

In the eighties, The Temps prevailed with smashes like the Otis Williams’ penned “Treat Her Like A Lady.”
Then in the nineties, another Temptation explosion:

It began with their appearance on Motown 25 in 1983; it continued with the NBC mini-series that chronicled the group’s history, a ratings triumph over two nights in prime time. An Emmy Award followed.

Then came a series of acclaimed records:

For Lovers Only, a collection of love standards, termed an instant classic by critics, remains among the most cherished of all Temptations recordings.

Phoenix Rising, went through the roof, a platinum-plus mega-hit featuring “Stay,” the Narada Michael Walden produced song that topped the charts.

Ear Resistible nailed a Grammy and a legion of new fans.

Awesome, released in 2001 is The Temptations at their freshest, strongest, and most appealing.

Reflections was released in 2005, nominated for a Grammy and brought to the world The Temptations versions of some of Motown’s greatest songs.

The current lineup consists of:           

                        Otis Williams, Ron Tyson, Terry Weeks, Joe Herndon, Bruce Williamson

“The more we change,” says veteran Ron Tyson, “the more we stay true to ourselves. We’re about singing straight-up soul. It’s a style that will live on forever.”

“The Temps have always been known for great lead singer’s”, says Williams. “Today we have three of the greatest leads in the proud history of the group.”

The soaring voice of Ron Tyson, perhaps the best high tenor in the business.

Terry Weeks, who grew up in Alabama and spent eight years in the Air Force before his makeshift audition for Otis on a Hollywood street corner, who’s smooth textures and tones, express an extraordinary full range of feelings.

Newest member, Bruce Williamson started singing in a church choir at the ripe age of 5 years old and hasn’t stop since. He has sung in everything from commercials to musical to the top showrooms in Las Vegas. Bruce was introduced to Otis by Ron Tyson.

“Our challenge,” says Williams, “is to live in the present while respecting the past. Our past is filled with riches only a fool would discard. At the same time, we thrive on competition. As a Motowner, I grew up in the most competitive musical atmosphere imaginable. But we also understand that for a group with history, no matter how glorious that history might be, reinvention is the name of the game.”

“When I tell people we are God’s group,” says Otis, a remarkable modest man, “I don’t mean it arrogantly. It’s just that we have been tested time and again and keep coming back. We have suffered the death of so many legendary singers...Paul Williams, David Ruffin, Eddie Kendricks, Melvin Franklin. Other’s like Dennis Edwards, Richard Street, Ali-Ollie Woodson and Theo Peoples have left, and yet our unity is tighter, our sound brighter and our popularity greater. Someone has watched over this group. Someone has protected our integrity. Someone has said...just go on singing and it’ll get better.”

And so THE TEMPTATIONS go on.......and on.....and on........

The Four Tops have been marveling audiences with their infectious blend of pure vocal power and sweet harmonies since 1954.  High school friends from Detroit's North End, Levi Stubbs, Renaldo "Obie" Benson, Abdul "Duke" Fakir and Lawrence Payton started playing parties as the Four Aims, as they were aiming for the top. After catching the ear and eye of singer Billy Eckstine, they changed their name to The Four Tops, so as not to be confused with the Ames Brothers.

After a brief stint with Chess Records in the late 50's and Columbia Records in the early 60's the group was introduced to Berry Gordy, who signed them to his new label, Motown Records. At Motown the group was teamed with the songwriting powerhouse of Holland, Dozier and Holland. The rest is history. Hit after hit followed, starting in 1964 with "Baby I Need Your Loving,” and continuing with songs like, "Reach Out, I'll Be There", "Standing In The Shadows of Love,” "Bernadette,” and " I Can't Help Myself (Sugar Pie Honey Bunch)". During the British invasion of the U.S., the Four Tops became a sensation in England.

In 1972, after Motown moved to Los Angeles, The Four Tops signed with ABC/Dunhill Records. The group’s hits kept on with "Ain't No Woman (Like The One I Got)" and "Keeper Of The Castle" and others. As records sales starting slowing, the group returned to their strength-live performances.

In the early 80's, The Four Tops signed with Neil Bogart and Casablanca Records. Two albums on the label produced the hits, "When She Was My Girl,” "Tonight I'm Gonna Love You All Over,” and "I Believe In You and Me.” In 1985 the group stopped the show at the heavily rock-filled Live Aid. Critics around the world hailed their set as a highlight of the marathon benefit concert. But benefits were not foreign to The Four Tops. To this day, they have raised money all over the globe with their charity work, never forgetting where they came from. Playing almost 200 dates a year, and starting off the 90’s with an inductee to the Rock n’ Roll Hall of Fame.

Solo work has never been something that The Four Tops set their sights on, but on occasion they have lent their talents to others. Lawrence and Duke served as producers on other music projects; Obie co-wrote  "What's Going On?" with Marvin Gaye and Levi was the voice of the man-eating plant, Audrey II, in the movie, "Little Shop of Horrors.” But through it all, the group stayed together for forty three years, something that is unmatched by any other group ever. Nothing could stop them even the bad times and hardships of the entertainment world.

In June of 1997, Lawrence Payton died of liver cancer. The group decided to continue on and worked for almost 2 years with the 3 remaining members, with no signs of slowing down, dedicating every show to Lawrence’s memory.

The year nineteen ninety-nine marked the group’s 45th anniversary, and marked the first member change. In February, Theo Peoples, a golden voice, multi-talented young man from St. Louis and Ronnie Mcneir joined Obie and Duke onstage for the first time.  When “Obie” Benson passed in 2005, the group was then joined by Rokie Payton.  The results have been magical, showing the group is ready to continue playing concerts, corporate events and even using 80 symphonies, to spread their magic worldwide.

Mayo Performing Arts Center • 100 South Street, Morristown, NJ 07960 • Box Office: 973-539-8008 • Admin: 973-539-0345

MISSION
Mayo Performing Arts Center, a 501(c) (3) nonprofit performing arts organization, presents a wide range of programs that entertain, enrich and educate the diverse population of the region and enhance the economic vitality of Northern New Jersey.

Discover Jersey Arts | New Jersey state Council on the Arts | The Geraldine R Dodge Foundation